Sculpture

Blank Slate Monument

Technical director for Blank Slate: Hope for a New America — a touring monument by Ghanaian sculptor Kwame Akoto-Bamfo that challenges the story Confederate statues tell. Four stacked figures span four centuries of the African American experience. The topmost holds a blank digital sign — connect to the monument's WiFi and your message appears for all to see. Brendan designed and fabricated the mobile platform (flatbed truck with hydraulic lift for craning-free deployment), conceived and built the interactive e-paper sign system, and managed the technical operations across 15+ cities from Louisville to Times Square to the Edmund Pettus Bridge in Selma.

public artinteractivetouringracial justice

The Messages

The blank slate is the point. Over the summer of 2021, thousands of people connected to the monument's WiFi network and typed what they wanted the world to see. Some names. Some demands. Some grief. Some rage. Some hope.

"I CAN'T BREATHE"

"I CAN'T BREATHE"

The Sign

The sculpture's WiFi sign ran on a 31-inch e-paper display — a screen that looks like paper, readable in direct sunlight. Connect to the BlankSlateMonument network, type your message, pick a font, and it appears on the sign in the statue's hands. Tens of thousands of messages were posted across the tour.

The same interface that powered the real sign is recreated here — choose a font, set your alignment, and post to the sign.

80/80
Font 01/10
SAY SOMETHING

Blank is the slate that we write on, but we see through. We see through palimpsest of millions of civil rights placards begging for a chance to breathe. I sculpt yes, but the statement is not my own. The statement is for the people. The African American people, the black people. And people who want to speak up against the tradition of injustice. That is why the slate is left blank.

Kwame Akoto-Bamfo, Artist Statement

This traveling sculpture challenges the story Confederate statues tell.

NBC News, July 2021
Tattered flag against LED American flag in Times Square

The Sculpture

Four stacked figures span four centuries of the African American experience. At the base, a slave ancestor — hands and feet bound, face pressed to the ground, yet struggling to support those above him. On his back, a lynched Union soldier martyr with a noose around his neck, still fighting to hold the American flag aloft while carrying a memory jug — an African folk-art vessel that memorializes the dead. Above him, a mother activist who must both mend broken men and raise the next generation, a baby pressed against her back. At the top, the figure stands upright with a lantern and the blank placard — the voice of the people, left blank because no monumental few words from one artist could express the thoughts and emotions of millions.

Every figure is cast in bronze by Ghanaian sculptor Kwame Akoto-Bamfo, whose outdoor installation "Nkyinkyim" — dedicated to the memory of victims of the Transatlantic slave trade — is on permanent display at the National Memorial for Peace and Justice in Montgomery, Alabama.

Boot on the head — the weight of oppression

Boot on the head — the weight of oppression

The Tour

The monument launched May 25, 2021 — the anniversary of George Floyd's murder — at the Kentucky Center for African American Heritage in Louisville. Over two years, it traveled to the DuSable Museum in Chicago (Juneteenth 2021), Lyles Station in Princeton, the Motown Museum in Detroit, Times Square, The Africa Center in Harlem, We Act Radio in Washington D.C., the August Wilson Center in Pittsburgh, the Harvey B. Gantt Center in Charlotte, the Civil Rights Memorial Center in Montgomery (a project of the Southern Poverty Law Center), the foot of the Edmund Pettus Bridge in Selma, Rice University in Houston, and the Rosenberg Library in Galveston — where its final day, July 5th, honored Frederick Douglass's speech "What to the Slave is the 4th of July?"

Kentucky Center for African American Heritage, Louisville — Launch

Kentucky Center for African American Heritage, Louisville — Launch

Base figure in chains

Fabrication

The engineering problem: a multi-ton bronze sculpture that needs to travel between cities on a flatbed truck, stand upright at each stop without a crane, and power an interactive digital sign off-grid. The solution: a custom steel platform with a hidden hydraulic lift system, solar panels, and a battery bank.

Four figures laid out in the workshop

Four figures laid out in the workshop

City by City

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